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After Blue (Dirty Paradise) review for Sight & Sound

A thoroughly postmodern picaresque of a heroine’s journey set on a fictional planet. The post After Blue (Dirty Paradise) review for Sight & Sound appeared first on Not Television.

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Glass Onion: A Knives Out Mystery review for Sight & Sound

Reference and recapitulation are at the heart of Rian Johnson’s new film, a follow-up to Knives Out (2019), his popular reinvention of the country-house whodunit. The post Glass Onion: A Knives Out...

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Tropical Malady article for Sight & Sound’s Greatest Films of All Time issue...

An introduction to a captivating work that defies straightforward understanding, and suggests understanding may be overrated. The post Tropical Malady article for Sight & Sound’s Greatest Films of...

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Magic Mike’s Last Dance review for Sight & Sound

The third film about the male entertainer played by Channing Tatum feels like an uncoordinated misstep. The post Magic Mike’s Last Dance review for Sight & Sound appeared first on Not Television.

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BFI Flare 2023 preview for Sight & Sound

London’s celebration of queer cinema includes a tribute to the pioneering British director of 1978's Nighthawks. The post BFI Flare 2023 preview for Sight & Sound appeared first on Not Television.

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Beau is Afraid review for Sight & Sound

Ari Aster’s overblown pseudo-surreal picaresque odyssey is less a story about human beings in human situations than a trippy gamut of threats and feelings. It’s a lot. The post Beau is Afraid review...

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Pretty Red Dress review for Sight & Sound

Dionne Edwards’s debut feature deftly balances a family's competing desires, vulnerabilities and insensitivities The post Pretty Red Dress review for Sight & Sound appeared first on Not Television.

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Lie With Me review for Sight & Sound

Olivier Peyon's film explores the consequences of a teenage romance 35 years later. The post Lie With Me review for Sight & Sound appeared first on Not Television.

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Passages review for Sight & Sound

Ira Sachs's drama, starring Franz Rogowski, Ben Whishaw and Adèle Exarchopolous, explores three characters' jostling wants and needs The post Passages review for Sight & Sound appeared first on Not...

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All of Us Strangers review for Sight & Sound

Andrew Haigh's deeply affecting, time-slipping feature centres on a middle-aged gay writer grappling with the profound consequences of grief and structural homophobia. The post All of Us Strangers...

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